The Grey Man
το φως εν τη σκοτια φαινει
Benjamin Franklin said that the sting of any reproach is its truth. Indeed, unless one is so diffident as to be be unable to reject patently false claims about himself, he is not going to suffer from a rebuke unless it is rooted in and makes him aware of some real defect in his character or deeds. All rebukes, then, are rooted in an incongruity between what the object of the rebuke is and what he wants to be; and his awareness of this incongruity is not necessarily occasioned by someone else's comments; for, in some cases, the subject and the object of the rebuke are one and the same, as in the case of the "tortured genius."
A whole genre of movies and TV shows is dedicated to portrayals of the ascetic superman who spurns social norms in his relentless pursuit of truth or power, and whose family and friends continually feel the 'sting' of his theoretical and practical rejection of the hypocrisy and mediocrity of conventional life, even as they punish him for his transgressions (e.g. House, M.D., starring Hugh Laurie). The superman's rejection of mediocrity doubles as a rejection of what he would be lowered to if he abandoned his quest for excellence, so that, in a sense, he is motivated by the sting of his own reproach.
And what is this self-stinging of the melancholic genius if it is not depression? We are told that depression is a 'voice' that abuses us and wants to be cured, like a disease, but what if it is our inchoate awareness of our own moral and intellectual weakness?
A whole genre of movies and TV shows is dedicated to portrayals of the ascetic superman who spurns social norms in his relentless pursuit of truth or power, and whose family and friends continually feel the 'sting' of his theoretical and practical rejection of the hypocrisy and mediocrity of conventional life, even as they punish him for his transgressions (e.g. House, M.D., starring Hugh Laurie). The superman's rejection of mediocrity doubles as a rejection of what he would be lowered to if he abandoned his quest for excellence, so that, in a sense, he is motivated by the sting of his own reproach.
And what is this self-stinging of the melancholic genius if it is not depression? We are told that depression is a 'voice' that abuses us and wants to be cured, like a disease, but what if it is our inchoate awareness of our own moral and intellectual weakness?